14 novembre 2010, huitième soirée : Gustave Ricaux Dans la même rubrique In the same section Gustave Ricaux Gustave Ricaux Gustave Ricaux Ricaux, mon maître Ricaux, my Master Ricaux e la Scuola Italiana Ricaux et l’Ecole italienne Ricaux and the Italian School Gustave Ricaux Gustave Ricaux Gustave Ricaux Perché Ricaux a Roma? Souvenirs de Gustave Ricaux A recollection of Gustave Ricaux Ricordi di Gustave Ricaux Les rubriques All sections : Les Nuits Blanches au Centre de Danse du Marais : les grands pédagogues Grandes leçons de la société Auguste Vestris Essais / Esssays Entrevues / Interviews Critiques / Reviews Evénements / Events Musique / Music Théâtre / Theatre Critiques de livre / Book Reviews Gallerie Photo / Photo Gallery Bibliographie / Bibliography Inscription liste de diffusion Accueil / Home		Virtù A Celebration of Gustave Ricaux 14 November 2010   |  586 visits / visites Gustave Ricaux Portrait vers 1925 Collection Pierre Lacotte The echo of Gustave Ricaux’ voice reaches us from an age in which he was the principal player, and one where the dancer was not seen as a sum of bodily parts to be arranged as seductively as possible. His teaching, incarnated in the great artists he trained, brought beauty into the world through study of the laws that lend the action of classical dancing its implacable adequacy to the task. Although extremely retiring as a personality, it would not be stretching a point to compare Ricaux to Enrico Cecchetti, for he achieved a strategic purpose: to restore male dancing to the splendour of which the Romantics had robbed it, and by banishing all futile gesture, rescue the vocabulary in all its facets, from what had become a morass of clichés. K. L. Kanter